Silky smooth and easy to use, the CA-2A T-Type Leveling Amplifier is truly a must have dynamics processor. But it’s equally at home on guitars, bass, wind instruments and any other highly dynamic source material. These characteristics play a big part in its smooth and transparent sound and why it is so universally revered as a vocal compressor. This unique design only reduces gain to a certain point before “giving in” and allowing the output level to naturally increase again. Unlike typical dynamics processors that have a fixed compression ratio across all frequencies, the CA-2A T-Type Leveling Amplifier’s gain reduction varies at different frequencies. This simple yet clever design offers flat frequency response and transparent sound with automatic attack and release times that are completely program dependent. You simply cannot complain about this freebie at all.Because it’s essentially a tube amp with some photo-resistors there is no electronic circuitry involved in the compression process. So, if anyone is going to produce an authentic emulation of the legendary compressor, you’d think it would be Bill Putnam Jr. The last knob controls the mode of the VU Meter.īill Putnam’s late 1960s LA-2A Silver is probably the most versatile and most used of the original hardware units. Co-development in collaboration with Grammy Award-winning engineer Chris Lord-Elj. Increasing the Peak Reduction lowers the compression threshold, increasing the amount of compression applied.īoth the Gain and Peak Reduction knobs are marked with values ranging from 0-100, but those values are just reference points and don’t represent any actual dB value. With its gentle, program dependent optical compression, and meticulously designed tube amplifier, the LA-2A is the go-to compressor for professional mixers. CLA-76 Compressor 76 Crack Includes CLA-2A, CLA-3A, CLA-76 Blacky and CLA-76 Bluey.

You set the amount of compression from 0 dB to -40 dB using the Peak Reduction knob. As the Gain control adjusts the output level, it doesn’t affect the amount of compression applied. Next is the Gain knob, which adds up to 40 dB of makeup gain to compensate for the compression. The compression ratios are frequency-dependent and not absolute. In Compress mode, the ratio is roughly 3:1 and roughly infinity:1 when set to Limit.

It starts with the Compress/Limit switch, which sets the ratio.

It is full offline installer standalone setup of Roland VS PROMARS v1.1. It’s also famous for being incredibly easy to use because it has so few controls – and the plugin is no different. Roland VS PROMARS v1.1.2 Crack Free Download r2r Latest Version for Windows.

Cla 2a compressor free download crack